San Giorgio Maggiore is a 16th-century Palladian church on its own island in the Venice lagoon, known for its bell tower panoramic views and two major Tintoretto paintings. Andrea Palladio designed the basilica in 1566, applying classical temple principles to a Christian church plan with a precision that makes the interior feel luminous and spacious, a marked contrast to the darker Byzantine and Gothic churches elsewhere in the city. The facade, finished after Palladio's death, uses white Istrian stone and features a commanding arrangement of Corinthian columns. Inside, two late masterpieces by Tintoretto demand attention: The Last Supper (1592-1594), a dramatically lit composition with angels materializing from smoke, and The Deposition from the same period. The island has been home to a Benedictine monastery since 982, when Doge Tribuno Memmo donated it to the monk Giovanni Morosini. After Napoleon suppressed the monastery in 1806 and turned it into an artillery depot, the complex fell into neglect until industrialist Count Vittorio Cini established his cultural foundation here in 1951. Today the Fondazione Cini hosts exhibitions, concerts, and scholarly events in the restored monastery spaces, including two Palladian cloisters. The bell tower offers what many consider the finest panoramic view in Venice, with far fewer crowds than the Campanile in Piazza San Marco. Vaporetto line 2 makes the short crossing from San Zaccaria.